Assadour Bezdikian’s artistic formation unfolded within the intellectually charged environment of mid-twentieth-century Beirut, where he studied at the Lebanese Academy of Fine Arts before continuing his education in Paris. His early exposure to both Eastern iconographic traditions and Western modernist experimentation shaped the dual orientation that would define his mature work. Throughout his career, he pursued a sustained inquiry into the relationship between structure and spontaneity, translating metaphysical and literary impulses into spatial compositions distinguished by layered surfaces and a refined chromatic discipline.

Bezdikian exhibited widely in Lebanon and France, participating in key collective exhibitions devoted to the language of contemporary abstraction. His visual vocabulary gradually evolved towards a synthesis of architectural order and expressive fragmentation, maintaining a dialogue with European post-Cubist models while preserving a distinctly personal sense of symbolic coherence. Recurring motifs such as memory, the urban landscape, and cosmological mapping attest to an artist deeply engaged with the endurance of form amid the flux of perception. His contribution to modern painting resides in his ability to articulate an abstraction that negotiates identity through structure and introspection, situating his work within the broader continuum of Mediterranean modernism.