The End is a print accompanying an eponymous exhibition The End together with Edith Karlson in 2019.

The End — the end of civilisation? Are we making our own end? Has it come to this? The insects and animals are dying off as walls threaten to separate us from our neighbours, but we’re still drinking coffee in the department store cafe, chatting with our pals as we sit and wonder if tonight's meal will be TexMex or Pan Asian... The End.

Dan Mitchell (b. 1966) lives and works in London. He has shown widely outside of the mainstream galleries in London. He is a founding member of Poster Studio (1994-1997) and the publisher of Hard Mag - the ‘stronger than reason’ specialist magazine. His work is generated on computers and takes the form of an assemblage of culled images (from the web, magazines, posters, film and photography) and is rendered on paper in the forms of posters, magazines, drawings and prints as well as sculpture.

 His recent solo contributions include: "The End", with Edith Karlson, Temnikova & Kasela, Tallinn (2019); "New Dead City", Oracle, Berlin (2016); "Alcoholism", Celine Gallery, Glasgow (2016); "Uppers and Downers: You Are Already Dead", Xero Kline & Coma, London (2015); “Is My Art Professor A Terrorist?” Munich Kunstverein, Munich (2015); “Poison Gas”, Galerie God, London (2014); “STALLINNISM”, Temnikova & Kasela, Tallinn, (2014); “Will We Still Play Tennis After The Revolution?”, Watch It Gallery, London (2014); “An Opening - #danmitchell@limazulu.lol”, Lima Zulu, London (2013).