In this lot, we are presented with a small sculpture that encapsulates George Bahgory's foray into the sculptural realm, undertaken alongside his celebrated paintings and incisive political cartoons. This sculpture, with its exaggerated, stylized features, pays homage to the grandeur of ancient Egyptian artistry, yet is imbued with the distinct, satirical edge that marks Bahgory's renowned caricatures. It stands as a testament to the artist's adeptness at weaving the rich tapestries of Egyptian and African heritage with layers of contemporary socio-political critique. This piece not only showcases Bahgory's versatility across mediums but also highlights his unique ability to infuse traditional forms with contemporary relevance, offering a profound commentary on the societal narratives that shape life in the Arab region.

George Bahgoury (b. 1932, Egyptian) is a towering figure in Arab contemporary art and journalism. His oeuvre spans over six decades, during which he has distinguished himself as a prolific painter, sculptor, and caricaturist, blending political satire with poignant social commentary. Bahgoury's education at the Faculty of Fine Arts in Cairo laid the foundation for his diverse artistic journey, further enriched by his experiences in Paris, where he absorbed elements of European art movements. His style, characterised by vibrant expressionism and a unique fusion of realism and caricature, captures the essence of Egyptian life and politics with both humour and gravity. 

Bahgoury's work has been celebrated in numerous exhibitions worldwide, earning him a revered status among artists and critics alike. In addition to receiving numerous prestigious awards, Bahgory has published six books, three of which were dedicated to art. His contributions to art and journalism have not only entertained and provoked thought but have also chronicled the changing face of Egypt through its challenges and triumphs.