Lebanese artist Georges Doche (b. 1940 - d. 2019) has recently attracted growing attention from collectors for his whimsical yet masterfully executed works. Born in Cairo and relocating to Beirut in the 1950s, Doche initially pursued studies in chemistry at his father’s behest before a transformative shift toward philosophy and art. His rigorous artistic training at the Académie Julian and the École des Beaux-Arts in Paris was instrumental in shaping his innovative approach to painting.

Doche’s oeuvre is acclaimed for its experimental integration of chemical materials, such as permanganate and carmine, reflecting a unique fusion with his scientific background. Although his public profile remained modest, Doche was a pivotal figure in the Lebanese art scene during the 1960s and 70s, receiving critical acclaim in Francophone media and forming close associations with prominent contemporaries including Juliana Seraphim and Fadi Barrage.

His works were prominently exhibited at esteemed venues such as the Salon des Artistes Indépendants in Paris and the Sursock Museum’s Salon d’Automne in Beirut. Today, Doche’s art is celebrated for its distinctive methodology and is held in prestigious collections including Mathafand the Arab Museum of Modern Art. In addition to his painting, Doche also made significant contributions as a designer of stage costumes, sets, and jewellery, and operated an antiques gallery in Lebanon during the 1980s. His oeuvre continues to attract increasing recognition and respect within the art world.