Bulgarian-born painter and draughtsman of Jewish origin, Julius Mordecai Pincas — who adopted the name Pascin in 1905 — spent his early childhood in Vidin before his family relocated to Bucharest in 1891, where he received his first encouragement toward painting. After studies in Vienna between 1895 and 1901, he traveled through Budapest, Munich, and Berlin before settling in Paris in 1905, where he integrated rapidly into the city's artistic life, exhibiting at the Parisian salons between 1908 and 1912 and becoming a central figure in the circle of émigré artists that included Chagall, Modigliani, and Soutine.

In 1912–1913 he participated in exhibitions in Berlin and Cologne, and at the landmark Armory Show in the United States. With the outbreak of the First World War he moved to New York, where he married the painter Hermine David and acquired American citizenship in 1920, before returning to Paris toward the end of that year.

His output encompassed portraits of friends, café scenes, flower pieces, and a small number of large-format biblical compositions, but the dominant thread of his work consists of studies of young female figures, rendered with a delicacy of color and handling that critics have compared — with reservations — to Degas and Toulouse-Lautrec. Where those predecessors brought analytical distance to similar subjects, Pascin's approach is more atmospheric, at times repetitive, but in its strongest examples carries a quality of quiet melancholy that distinguishes it from mere eroticism.

He remains an artist of international significance who is still insufficiently known in Romania, despite his formative connection to Bucharest.